bill daggs’ multidisciplinary practice employs listening as an act of resistance, memory as an act of defiance, and sound as a conduit for healing. Through sonic investigation and collaboration, daggs explores sound’s effects on communities, its affects on public spaces, and amplifies these places as seminaries of play, improvisation, and mending.

daggs has exhibited work with, and performed at arts organisations and festivals including: V&A Museum (2025), Camden Arts Centre (2025), Bold Tendencies (2025), Studio/Chapple (2024), Metroland Cultures (2024), Hospital Rooms (2023), South London Gallery (2023), Frieze Art Fair (2022), New Contemporaries (2022)

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